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Reviews for Taboo Parallel

By : Strigon2
  • From repec on March 25, 2017

    It is insanely good. I love every part of it, only miss Rei a bit. Wondergirl should appear more.I sent you a message on yopur pixiv page. I really hope it will be continued.


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  • From ANON - Anon on May 17, 2016
    It's a little more complex than that Gendo, not everything is as it seems.

    This isn't done for the sake of shock value.
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  • From ANON - Gendo on March 22, 2016
    This is not a story of suffering Asuka being raped and despair, is only one more story cliches Netorare as Inoccent Blue, Kagachi-sama Onagusame Tatematsurimasu: Netorare Mura Inya Hanashi and Kedamono-tachi no Sumu Ie de.
    In addition to the typical cliches netorare, no there is the possibility of a psychological suffering to Asuka, at least not when she regains self-awareness and think that personal relationships are more important than sex and she's subjected to something she doesn't want. Asuka has become like the Ai of Kanojo ga Mimai ni Konai Wake, she no cares about anything other than sex. The pain would come from Asuka be forced to act against their conscience or try to be someone else, but can't free himself of herself. Every time she acts in a different way than she is, becoming another person would lead to psychological suffering or if she is a person and want to be another, free himself of herself. Asuka shouldn't accept your rape, even in the beginning she won't take it and after mind break (Mind break is experiences such a high degree of sexual pleasure ther mind of Asuka goes into a state of severe stupor. In this state Asuka would lose the ability to think clearly and register information such as pain) she passes like being abused.The suffering comes Asuka of the would not want to be with Musashi, Keita, Kensuke, Toji and other, she hates everything and your conscience makes you wish the shinji; Or she wants to break free of his love for shinji and surrender the debauchery, but your love for he prevents the full delivery, she loves him more than anything. Sex becomes the most important thing and it has when it should be baka shinji, conflict is having sex with who does she not love and Asuka wanted to be is with baka shinji. Asuka should only be able to have sex with Musashi under the effects of drugs. She would go find repulsive have his penis inside her and for the sex she have pessimistic thoughts about him, she can not react because of drugs , even drugged Asuka still have some awareness Asuka and she does not like what you're doing. In the kitchen scene she isn't drugged and yet she preferred do sex with Musashi than with shinji, when she should be imagined having sex with shinji or refusing to have sex. Even if I wanted to have sex also with the shinji, still mistreated him, then she thought better of it and repented, but she should have the notion that it would be shinji's penis and not Musashi who should be inside her when she's not drugged. This fanfiction is like other doujinshi Netorare as Taihai no Susume of Fate Saty Night, To LOVE-hi - Tora Buhii- of To Love Ru, HIGH SCHOOL DxIf NDT High School DxD, Victim Girls 6 - Heaven Eleven + Omake of Code Geass, Reitama hibike of euphonium.
    Suffering is the masculine which lost the woman he loves and female not being away from the man she loves as Shinji lost Asuka, because is having destroyed their self-conscience, soon she barely knows who she is, she's not even aware of their dreams and desires, their interactions, on her actions, she knows are the categories of the pleasant and the unpleasant, she has no conscience of its suffering would not achieve what you want. Your senses have more power than your intellect, then she in the has more salvation because she lives the senses, she didn't think that lost that is more important than sex. Only when pleasure and she introspectively look inside of herself and think of everything lost, she will suffer and be aware of who walked away or start thinking. The script is always the same: drugs + rape + mind break + fall in love with fur dick of the rapist + the old passion of the protagonist masturbates seeing her having sex with her rapist+ the protagonist ridicule of the cock of the old love= Netorare.
    In the kitchen scene, Asuka mocks of the cock of shinji that would be small, she the the holds masturbating the cock of shinji because it would be too small for sex e and shinji if masturbates watching Asuka Musashi having sex.In Netorare, during sex the woman does the expression of ahegao. A term used to describe the facial expressions of hentai anime and mangas girls who are being raped, and hence their mental health has hit rock bottom. And this fanfiction was no different.
    The kitchen scene would be Asuka drugged, but conscious, suffering seeing shinji watching her having sex with Musashi or roma consciousness after effect. To convey the suffering of the Asuka, because in addition to having sex with who does not love, loses shinji. Suffering is that Asuka is undergoing something she does not like and has no pleasure and still lose his friendship and his old love. Staying alone.
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  • From ANON - Anon on March 22, 2016
    @ Gendo

    There's a reason for that, keep reading.
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  • From ANON - Anon on March 20, 2016
    I think you do very well writing about the emotional pain Asuka has gone through. Little touches like Asuka telling Mari how her weekend excursion hurt her really add to her emotional destruction and give depth to her abuse.
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  • From ANON - Gendo on March 15, 2016
    Forget the clichés:

    - Mind Control
    - Exhibitionism
    - nakadashi
    - Take pictures during the sexual abuse
    - Slave
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  • From ANON - Gendo on March 15, 2016
    That collection of cliches netorare, evangelion sought avoid and subvert the clichés.

    - Bikini
    - big penis of the rapist
    - blackmail
    - cat ear
    - collar
    - dark skin
    - drugs
    - mind break
    - piercing
    - prostitution
    - Rape
    - record videos of sexual abuse and disseminates them
    - swimsuit
    - Small cock of the shinji that is the love of Asuka.

    Just not yet appeared pregnancy of Asuka.
    .
    This is no different from hentais as Otomi Dori, True Blue and Triangle Blue. There is the harrowing depth of Evangelion, only cliches ntr.
    There is no more false cliche than the mind break.
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  • From ANON - Anon on February 10, 2016
    Not a fan of the scat stuff, but the writing quality is still great. The scenes with the black gentleman were quite well done. Hopefully we'll see more Rei in the future, maybe she might be submissive enough to accept a pregnancy or take having piercings done a lot better.
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  • From ANON - George on January 29, 2016
    Excellent chapter as always, but we need more Rei!
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  • From ANON - a perv on December 19, 2015
    Thank you very much for the new chapter. The sex scenes were hot, particularly the asuka/black guy scene, I would haved prefered a blowjob and anal sex scene between them, rather than something with Mari, who bring down every story she's in. I'm hoping in the next chapter you have a lot of scenes with Yui's carnal debauchery displayed.
    Thanks for the new chapter.
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  • From ANON - Sean on December 13, 2015
    Hideki Anno is a fat hypocrite, dunno why the person above me copy pasted an evangelion review in here. I know that Anno, an otaku himself, gets butthurt when otaku masturbate to his supposed "fuk u nerds" show but if you're disgusted by it, then why in all fuck are you here. Oh wait, that review is months old and the person who wrote it is probably long gone.
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  • From ANON - Cathy on August 29, 2015
    Asuka and Rei are fetishized and that Hideaki Anno criticism. The Japanese authors of fanfiction Innocent Taboo are what Hideaki Anno most critical. They not learned anything from the Anime and used the characters to suit your perverted fantasies.
    .
    “I don’t see any adults here in Japan. The fact that you see salarymen reading manga and pornography on the trains and being unafraid, unashamed or anything, is something you wouldn’t have seen 30 years ago, with people who grew up under a different system of government. They would have been far too embarrassed to open a book of cartoons or dirty pictures on a train. But that’s what we have now in Japan. We are a country of children.” – Hideaki Anno
    .
    The audience proxy – one of the most beloved and reviled characters in anime history. Shinji Ikari. The boy spurned by the world, surrounded by people too caught in their own issues to do anything but use him, he himself too afraid of rejection to seek out human connection. Shinji is certainly a pointed character, but not an unsympathetic one – in fact, the layers of humanity written into his character make him even today one of the most recognized figures in anime history. His fear and failure and continuous attempts to avoid that which might hurt him are a reflection both of Anno’s own humanity and the humanity he saw in those he wanted to influence. Shinji might as well be the human face of anime itself.
    .
    But again, Evangelion is not a cynical work. Though Shinji wallows in self-pity and fears human interaction, he does not live without hope. Ultimately, he chooses to reject the comforting fantasies of instrumentality – he chooses to live as an individual, one who must reach out and touch others even knowing it will cause him pain. Shinji ultimately grows up, and through his triumph you can see the underlying optimism Anno feels towards his nation of grown up boys.
    ,
    You can’t blame him, really. Among the many accolades heaped upon Evangelion, it’s even been perhaps sarcastically called “anime’s Citizen Kane moment.” This is hyperbole, of course – everyone wants their Citizen Kane moment. But the comparison is actually a kind of interesting one, if only in a negative sense. Citizen Kane was important because it helped demonstrate the things only film can do – the structural power, the way the frame can be so much more than simply a window to a stage play (though obviously it wasn’t the first to demonstrate this). Evangelion does sort of do that, though it was hardly the first either – it certainly uses animation to tell a story that would otherwise be nearly impossible. But I think the more pointed comparison to make here is to what Evangelion actually did. Though its messages were largely concerned with opening the windows on the lives of anime viewers and casting a harsh light on their fantasies, did the works to follow reflect these themes?
    .
    Not at all. Creators saw the success of Evangelion and didn’t think “it’s time for anime to grow up and stop catering to these fantasies,” they thought “look how much people love these articulations of these fantasies! Look how much people like dark robot shows! Let’s make those!” It’d be like if directors watched Citizen Kane and thought, “what people really need are more stories about newspaper magnates!” No, even worse – it’d be like if they watched it and thought “what an inspiring story about a wealthy, successful man! If only we could all be so lucky!” They saw the tropes used in Evangelion, but didn’t follow through with the show’s indictment. And who could blame them? The fans certainly wouldn’t.
    .
    Evangelion became popular. Incredibly so. Perhaps it initially did resonate in the way that was intended – but in the years since Evangelion, anime has not grown up. Asuka and Rei are fetishized and copied again and again, not held up as the last gasp of their archetypes. In the years since Evangelion, works that you could truly call post-Evangelion have been the exception, not the rule.
    .
    Evangelion content to hide its human focus and strident message behind a sci-fi facade – this is what Evangelion is, and this is what it has always been trying to say. This is Shinji’s story – the story of a scared boy who isn’t sure how to move forward, and the story of every single person out there the truth of his journey reflects.
    .
    “It is a story of the resolve to want to be together, even though it is frightening to have contact with others and to endure ambiguous loneliness.” – Hideaki Anno
    .
    Rebuild isn’t a deeply optimistic work. As angry as he comes across, Anno also clearly loves what he does – he wouldn’t make these if he didn’t, and he wouldn’t be hammering on these same messages in such strident fashion if he didn’t think there was still good to be done. 3.33 has spawned some very angry reactions, but so did episodes 25 and 26 back in the day – at that point, his actions were partially based in financial necessities, but those episodes still said what he wanted to say. Asuka might as well be Anno’s own mouthpiece at the end of 3.33 – though she yells at Shinji for his weakness, she grabs his hand and drags him towards the future all the same.

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  • From ANON - Arthur on July 27, 2015
    The fanfiction has a dark side of the human being which are those capable of doing harm to someone like Yui, including satisfaction of their desires as musashi, Keita, Mana, ritsko, Mari, Kensuke and the like. Man can be seen as the one provided by a will to want to carry out your wishes and hurt someone who is hindering to realize their desires. Show a dark side of the human being. I think so, there is a cruel facerta of man that kills and harms other living beings and humans, inclusive.
    It is unlikely that Asuka have accepted the abuse and have attached to their abuser when his will to live and their impulses to guarantee his life and physical integrity would hate him even wanting to avenge him. He no less than raped. Asuka should anything unless you want to take revenge on all those who did evil.
    I can not believe that Asuka has no desire for revenge, to put poison in the food Yui, Mana and Musashi at least to die or you go and report it trims the police as occurs in cases of blackmail and sexual abuse. Taking Yui and Mana she holds no hate Musashi for the evil that you did and that's something too fanciful. Women when sex slaves and live in captivity hatred for their tormentors.
    This is not a story that seeks to reproduce the human dark side realistically, a realistic psychological portrait of sexual abuse, but mere pornography to torture that is a fan of Asuka and shinji.
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  • From ANON - Paul Revere on July 06, 2015
    Hideaki Anno never approved Nellore in his work. A clear cso is the series Nadia - The secret of blue water, which formed the basis for Evangelion, because the series had great success decided to enlarge to 39 chapters, he decided to delegate to third parties as collaborators, as he concentrated in the series finale . Episodes 23-34 were made by third parties.
    In eisódios 32 and 33, Nadia protagonist falls in love with an African native muscular and set aside jean, a French boy she was dating. And pasosu treats you badly and was clinging to the native until it was rejected and returned against their will to the jean, but Anno in episode 35 ignored the Netore, and by the end it was as if it never existed. And when Anno made an issue of the series, he cut this Netore mercilessly.
    Nadia fell in love with the native afriano and would leave her boyfriend who suffered rejection, acomo as shinji seeing Musashi and Asuka.
    I do not think Anno agree with Netore, because in Asuka series so when he met never surrendered to anyone. When placed in a series he drove he cut.
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  • From ANON - Nicolae on July 02, 2015
    I am eager to know when shinji will find everything and will have the courage to start a vendetta against Yui and Keita, for what they did with Ayanami, ending with her at the end. He can not deixra sme punishment what they did to her.
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